Desiring God

Branding Guidelines

overview

Desiring God's brand identity is built for clarity — clean typography, restrained color, and a system that keeps focus on the mission.

16Core Assets
04sub-brands
08system colors
03type families

01 / brand identity

Main Lockups

The primary Desiring God lockups pair the arrow mark with the wordmark. Use the horizontal lockup wherever space allows; the icon and stacked forms cover tight or square placements.

Desiring God

Main Logo

Primary logomark used for brand

Desiring God

Icon

Supporting symbol

Desiring God

Stacked

Supporting symbol

Desiring God

Tag

Supporting symbol

Desiring God

Main Logo - Graphite

Single color, Graphite

Desiring God

Icon - Graphite

Single color, Graphite

Desiring God

Stacked - Graphite

Single color, Graphite

Desiring God

Tag - Graphite

Single color, Graphite

Desiring God

Main Logo - Scarlett

Single color, Scarlett

Desiring God

Icon - Scarlett

Single color, Scarlett

Desiring God

Stacked - Scarlett

Single color, Scarlett

Desiring God

Tag - Scarlett

Single color, Scarlett

Desiring God

Main Logo - White

Single color, White

Desiring God

Icon - White

Single color, White

Desiring God

Stacked - White

Single color, White

Desiring God

Tag - White

Single color, White

02 / Sub-brands

Brand Structure

Desiring God is the parent brand. Four sub-brands — Ask Pastor John, Look at the Book, Solid Joys, and Light + Truth — sit beneath it, each with its own mark but sharing the same typographic and color system.

Ask Pastor John

Look at the Book

Solid Joys

Light + Truth

Look at the Book - Dark Mode

Solid Joys - Underlined

Solid Joys - Underlined Dark Mode

Light + Truth - Icon Dark Mode

Light + Truth - Dark Mode

03 / Type + color

Type + Color

Balto carries the voice; Merriweather adds warmth for long-form reading. Color is deliberately restrained: black, white, and a family of neutrals do the work, with Scarlett reserved for signal.

1/2

Balto

Primary typeface

BaltoBalto serves as the primary typeface for the Desiring God brand, carrying its identity consistently across every medium the ministry publishes in — from the website and articles to video titling, social graphics, and print materials. As a gothic sans-serif with eight weights and matching italics, it's confident and approachable rather than cold or corporate, and flexible enough to carry a bold sermon title, body text, or a social caption.
60pxExalt God Above All
42pxExalt God Above All
30pxExalt God Above All
27pxExalt God Above All

Licensed for Desiring God through Adobe Fonts. The OTF pack is for staff and approved vendors.

Download OTF

social media

Social Typefaces

Download All

While the brand uses three typefaces for official brand design, social media draws on a handful of other typefaces for handwriting, variation and texture.

website

Web Type Treatment

Discover how Balto + Merriweather are to be used in a web context.

typeface

Exalt God

Click swatch to copy hex code

color composition strategy

Signal,nevernoise.

Neutral foundations do most of the work. Secondary neutrals build depth; accents identify moments.

75%neutral Foundation

legibility

Contrast determines whether text is actually readable, not just visually present. We test every brand color against white and black text using the WCAG luminance formula. Normal text needs a ratio of at least 4.5:1; large text (18pt and above) needs at least 3:1.

pass Large & Normal Passpassfail Large Passes, Normal Failsfail Large & Normal Fail

Pure White#ffffff

1.00:1fail
21.00:1pass
1.00:1fail

Bone#f5f5f5

1.09:1fail
19.26:1pass
1.09:1fail

Fog#dcdcdc

1.37:1fail
15.31:1pass
1.37:1fail

Slate#3f4447

9.86:1pass
2.13:1fail
9.86:1pass

Graphite#231f20

16.30:1pass
1.29:1fail
16.30:1pass

Onyx#101011

19.02:1pass
1.10:1fail
19.02:1pass

Pure Black#000000

21.00:1pass
1.00:1fail
21.00:1pass

Scarlett#c6000e

6.16:1pass
3.41:1passfail
6.16:1pass

Click swatch to copy hex code

color in action

Color distribution

Website

Shades of white and black do the heavy lifting across the website, while red shows up sparingly in the form of logo marks, active tab underline, buttons + links, etc.

Color distribution

Social Media

Instagram posts stay black and white with type carrying the message. The Scarlett mark is the only colour on the grid, so it reads as the signature.

Color distribution

Single Color Logo

Here you see the usage of a single-colour lockup (white) for video animation: on footage or a dark field the mark needs no colour to be recognised.

Color distribution

Social Media

Stories and quote cards set Scripture in Balto on Bone or Graphite grounds. Scarlett appears once, in the mark or an underline, never as a background.

Color distribution

Desiring God App

The app follows the website: white and Graphite surfaces, Balto for headings, Merriweather for reading, and Scarlett kept for the mark and the active state.

Color distribution

Video

In video the single-colour lockup carries the brand: white on footage or a dark field, animated in, then held still for the closing frame.

04 / size + space

Size + Space

Give the mark room to breathe and never let it shrink past the point of legibility. The clear-space unit is the height of the arrow mark itself; the minimums below are the smallest sizes the lockup and icon may be reproduced at.

Margins

Keep a clear space of at least one mark-height (1x) on every side of the lockup. Nothing — type, imagery, or other marks — should enter this zone.

Correct
Incorrect

minimum size requirements

Below these sizes the counters close up and the wordmark loses definition. Use the icon alone when the lockup would need to be smaller.

Digital

140px
20px

print

35mm / 1.4in
5mm / .2in

margins

Postcard

A printed piece with the lockup held to its clear space: at least one mark-height of empty ground on every side, even on a card this small.

sizing

Favicon

At favicon and app-icon sizes the wordmark is dropped and the arrow mark stands alone, on Scarlett or white, so it stays legible at 20px.

05 / examples

In the Field

The system at work across the ministry's channels: social, web, print, video, email, and books. These are reference points for tone and proportion, not templates to copy.

social media

Reel Design

Vertical reels lead with one line of Scripture or a John Piper quote set large in Balto over quiet footage. The mark holds a corner and nothing competes with the words.

brand design

Web UI

desiringGod.org is almost entirely black and white so articles, sermons and the daily devotional carry the page. Scarlett marks the active tab, links and buttons, nothing more.

brand design

Print Design

Event and conference pieces sit on a dark ground with Balto set tight and large. One Scarlett accent is enough; the type does the rest.

brand design

Email Header

Email headers use a single Scarlett field with the headline in white Balto. The body below stays on white, so the header does all the signalling.

brand design

Video Thumbnails

Sermon and Ask Pastor John thumbnails: one face or one line, generous clear space, and the mark small and in the same corner every time so the channel reads as one series.

brand design

Reel Thumbnails

Reel covers share a single template so the grid reads as one set: episode title in Balto, a muted photographic ground, and the mark held to the clear-space rule.

brand design

Book Design

Books lead with the title in Balto on a solid field, the sub-brand mark where one applies, and the arrow mark small on the spine and back. Ask Pastor John: 750 Bible Answers to Life's Most Important Questions shows the pattern.

06 / finder

File Library

Every asset in the system, organised the way the brand is. Open a folder, pick a file to preview it, and download a single file or a whole kit.

List view
Desiring GodDownload Kit
Main Lockups
Full Color
Main Logo
Icon
Stacked
Tag
Typefaces
Sans Serif
Balto
Balto Condensed
Merriweather

Desiring God

Main Logo

Primary logomark used for brand